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Joined 1 year ago
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Cake day: July 6th, 2023

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  • Nothing anymore. But from age 18 to mid 30s I kept my busted up old guitar pick in my wallet.

    It had seen way too many shows, and it was brittle as hell. It’s in a shoebox with since other memories now.

    Less unique, I carried around phenergan pills in my pocket for about 10 years. I’d had an episode of an unknown something setting off a reaction with my throat closing up. Urgent care gave me the tablets when I left the hospital and I couldn’t not take them everywhere with me for a long time.












  • Their existence is a waste of time. If I wanted to but a Big Mac, I’ll go and fucking buy one. No ad is going to make me do that.

    During the pandemic I was trying to buy a new car since I’d moved further away from my job and needed one for the first tune in years. So many car ads, but every dealership I called “oh, we won’t have stock for another 6-8 months”. Well then stop advertising your cars!

    And just generally; I know products exist. I’m aware that I can but a product to clean windows. Seeing your ad isn’t making me go “wow, clean windows, there’s a thought!” For fucks sake.

    Ads are one thing that really pisses me off.





  • Post-hardcore. Typically 90’s old school like Fugazi and Hot Water Music, and then especially 2010s style “the wave” Touché Amore and La Dispute.

    Not the 2000s style that veered into emo and Metalcore territory. Although there were some fantastic bands around that time that experimented with the classic sound, like Thrice and At The Drive In, and an obviously earlier example of that being Refused.

    The combination of hardcore punk with slow and mid tempo breaks, throw in spoken sections or poetry. If it’s done right it’s just beautiful and makes you feel everything.

    But if it’s done wrong, it’s so bad, don’t even bother. Honestly, for me, there’s so many 2000s-era bands that are unlistenable, and to me don’t even fit the genre as far as what came before and after them. But everything changes and people experiment with different sounds.

    And it’s such a flexible genre, you have bands that take post-hardcore sensibility and turn it into indie rock, like Manchester Orchestra.



  • Automatic updates are there with the right distro. Which highlights the need to look around for the right distro for the use case.

    Example being Opensuse Aeon - automatic updates - doesn’t even tell you it’s happening, just pops up “your system was updated” out of nowhere

    Automatic rollback - if an update broke something you would never know, at boot the system will pick the previous snapshot with no user intervention

    As far as the user is concerned you just have a working system; that it is the entire goal of that distro