I first saw it as ‘coop’ and immediately thought, ‘hell yes, I’d support a community-owned coop, but only if there were lots of fluffy chickens and a 24/7 camera on them’.

Then I realized what you really meant. Which I’m also not opposed to, if it was set up well.

It’s a play on two things: parents threatening ‘consequences’ if kids roughhoused on the bed, and telling kids not to throw rocks at/antagonize hornet nests (both of which kids would often do anyways).

I did like Spiderman the best, I will admit. It felt a lot more relatable and real.

But then the Gwen-Stacy-as-a-plot-device-and-not-a-person nonsense started, and I was just like… oh, here we go. Again.

At least the manga I read never treated women as fridge stuffing, even if they were regulated to background characters.

I think the thing that grinds my gears the most about Rob Liefeld isn’t that he’s a terrible artist; it was that he’s a terrible artist who was kept on the payroll and allowed to keep making terrible comics. They could have fired him and hired someone else, anyone else.

Hell, at the time there were lots of successful women doing manga in Japan, and I doubt they had the only women in the world who could draw comics. It really feels like he was mostly keeping his job because he was white and male.

Even today Marvel and DC all but body-check women comic artists out the door. Thank goodness for the internet, so they can put their art out anyways, and on their own terms.

Edit to add: I recommend reading Magic Knight Rayearth if you have the time. (Maybe don’t watch the anime. Trying to simplify Clamp’s highly detailed art… didn’t work that well. Although the OAV wasn’t too bad.)

It’s an oldie, but it’s one of the comics that first got me into manga back in high school. It’s by an all-woman team, it’s beautiful (really, pretty much all of CLAMP’s art is, and I recommend checking it out), and not only did it have teenage women as the protagonists, but it was the first story I read where there was no actual villain or hero, and the story was actually compelling!

This This is a funny one. It looks like it was drawn by someone who carves wood with a chainsaw for a living. It even has the dark areas where you’d use a blowtorch lol.

Plus bonus parade balloon muscles.

With the source material, at least for me as compared to western stuff like X-men, Superman, etc, is that one, it crosses all genres and appeals to all genders. Comic books for much of their existence were largely geared to a specific, very male audience, and it was made quite clear by their writing and the actions of people into comics at the time that other genders (and, to a certain extent, skin colors) need not apply to join the club.

Since I’m a girl, when I was a kid I got teased a lot for liking ‘guy stuff’ like Batman and GI Joe. The problem was, well, I liked action stuff for one, but back then there just wasn’t anything for girls. Hell, I remember them even taking Wonder Woman’s power away, because apparently women empowerment reasons?

Those comics were all written by largely out-of-touch white guys who had, shall we say, definite opinions of what a woman could look like and should act like. And as a woman, I was never impressed. Especially by the time I got to the hundredth drawing of a woman’s ass and legs framing a supposedly ‘serious’ scene.

Then I found manga, with all-women writing teams, and artists who wrote well-rounded characters of all genders and orientations (Sailor Moon had many adorable scenes between a lesbian couple, just to name one example). They drew women who were people. They were sweet, they were brash, they were rude and crass, they were funny. And who weren’t afraid to fireball their way out of trouble. Hell, they drew varied guys who were weak, strong, silly, spacey… they felt real, in a way that I’d never seen in western comics.

Another thing is that mangaka tell the story, their characters get a satisfying actual ending, and then the artist moves on to another story. None of this ‘Oh, the X-men found happiness and solved their problems! In our next comic, watch as everything goes back to the shitty status quo because we have no idea how to write different stories!’ or ‘Welcome to the 2,171st reboot of Superman, now with Extra Edge^TM (because we hear that’s all the rage with kids these days). And remember that this iteration specifically references that one part of reboot #1,023, so read that too (if you can find it lol).’

And the third thing for me is it was quite a bit more beautiful and fluid and varied than western animation. Especially in the case of the days of Too-Many-Pockets Rob and his wooden doll faces, or the small beady eyes of, well, every comic character ever. Anime and manga faces were much more expressive, the worlds more varied and creative, and they weren’t afraid to draw regular people as protagonists, without muscles bulky enough to make you think you were looking at a Macy’s parade balloon.

It’s because it’s All About Them. Their (as fragile as spun-sugar) ego is all-important, and anything that threatens it has to go. And since they wrap their ego up in Being a Republican, and Being a Strong White Man, and all the racist bullshit that goes with that stance, that makes Harris is a physical manifestation of everything they hate. Such ‘challenges’ to their ego cannot be allowed to exist.

Men who are inferior to their fellow men, are always most anxious to establish their superiority over women. -Mary Wollstonecraft

One day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you’ll agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log.

As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen. Mother and children dining upon mother and children.

And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.

-Sir Terry Pratchett, Unseen Academicals

You’d be surprised how much effort people will put into proving you wrong.

We actually have our own map system, although of course you can use Google Maps too.

My uncle is a pastor. So when his kid came out as trans, he and his wife did the ‘good moral Christian’ thing and shamed her and harassed her until she committed suicide.

Then deadnamed her at the funeral, and wrote and published a book about how ‘his betrayal’ and ‘his unfortunate death’ were just tests from God to test their faith.

This is not a rare or unique story; many people all over the world have stories like this. Is it any wonder those who pay attention find religion distasteful? It may be a part of humanity, but many unpleasant things are, and there is nothing ‘edgy’ about rejecting them.

Yes, there are ‘good’ churches in my town that feed and clothe the poor; a far cry from my uncle’s church. But they are part of the same religion, and the fact that religion accepts both, morals be damned, means I have no interest in it.

With or without religion, good people can behave well and bad people can do evil; but for good people to do evil - that takes religion. -Steven Weinberg

I mean, it’s supposed to be.

Probably still won’t stop future humans from opening the vault, sadly.

We used to have a thriving rail and trolley system in the US; in most major cities especially. The automakers destroyed it. When they were caught, they got a slap-on-the-wrist fine and the nation went with the automaker’s suggestion of building the highway system up.

So yes, there is a fundamental reason we can’t. It’s the auto makers and the politicians they own.

Could be worse… could be like the old Japanese fine dining, where you’re just supposed to stare at the food and pretend to eat it.

As others have said, these are taken from Gary Larson’s daily website posts of old comics.

He is still drawing. Although retired, he recently got a tablet and has been experimenting with it, so he puts out new comics on his website every so often when the mood strikes him.

Well, bubbles are full of air… maybe it’s just bubbles in the tub.

This question has been answered multiple times in past posts, but basically they’re posting whatever the daily comic is for today on Larson’s website.

Yes, I know. I was referencing two different artists; one that did try to have their darker-skinned characters be that way even in black and white, vs one who didn’t because he was concerned about how the comic would read.

Yeah, Franklin from Peanuts tended to be a bit difficult to read facially sometimes because of the shading. Watterson once said that black and white shading could be tricky since the eye, being lazy, was drawn to empty white space.

So often in black and white comics they just forgo skin tones, especially in a more simplistic style like Larson’s. If you look at Watterson’s art, for example, his Sunday strips do show some darker kids, but in the daily black & whites they’re generally all drawn ‘white’.

Also keep in mind that Larson is white, and so him making fun of black people probably wouldn’t go over well.